"Most people's first impression of this painting is 'fragmentation.'
This feeling stems from that vertical line in the painting; it decisively cuts through the entire piece, presenting opposing forces on either side of the artwork, like the Yin and Yang Fish, full of duality within its wholeness, from light to darkness, from survival to death... This is also the author's intended expression, aiming to evoke a sense of inherent contradiction rooted in everyone's heart..."
Thomas was fervently analyzing 'The Swan.'
Zheng Qing let out a heavy yawn.
He didn't have much of an artistic inclination, especially toward abstract art. Moreover, the painting's author was a mystic he deeply revered as taboo—it's no exaggeration to say that the only reason Zheng Qing was here at this moment was that he had been tied up.
"Why don't you just tell me, Gan Ning and the others, why they joined the Ravens?" The young experimental subject couldn't help but interrupt the lab owner's ramble.
